Title: Superman IV: The Quest for Peace.
Director: Sidney J. Furie.
Screenplay by: Lawrence Konner & Mark Rosenthal.
Story by: Christopher Reeve, Lawrence Konner & Mark Rosenthal.
Release Date: 1987.
Runtime: 120 min.
Genre(s): Action, Adventure, Sci-Fi.
Cast: Christopher Reeve, Gene Hackman, Jackie Cooper, Marc McClure, Jon Cryer, Sam Wanamaker, and many more!
Budget: $17,000,000 (estimated).
Opening Weekend (US & Canada): $5,683,122.
My Overall Rating:
Previously in Christopher Reeve’s Superman saga:
Superman Extended TV Cut (1978).
Superman II: The Richard Donner Cut (2006).
Superman III (1983).
It always hurts to see a hero reach new lows. Without an opportunity to get back up again, you are left to appreciate their existence with all the good and bad that they’ve accomplished and suffered through, often wishing that you could feign ignorance regarding all the bad to soothe your mind. Unfortunately, from 1978 to 1987, Superman has seen his reputation tainted by corruptive company intrusion into directorial creativity and conflicted thematic visions. It would take almost two decades after his last appearance before another actor could bring back some Truth, Justice, and the American Way for fans around the world. Serving as the final movie where actor Christopher Reeve wears the blue suit and red cape, this fourth movie (excluding the Supergirl spin-off) seeks new direction from Sidney J. Furie, steering clear from a comedy-centric approach, to revisit familiar themes of love, identity, and belonging through one of the most ridiculous plots to grace the silver screen.
What is Superman IV: The Quest for Peace (1987) about? With the Daily Planet taken over by David Warfield, Clark, Lois, and Jimmy find themselves confronted with a journalistic vision that relies upon lies to create drama and increase sales. This includes spewing lies about Superman amidst the nuclear arms race across the world. Forcing his hands, Superman reflects upon the future of Earth and if he should, once again, intrude into their lives and affect their fate. Meanwhile, Lex Luthor concocts a plan to take down Superman once and for all, this time looking to create the perfect weapon capable of rivaling the strength of the Man of Steel: Nuclear Man. Affected by personal turmoil due to his love life and the weight of political warfare upon his shoulders, Superman needs to take a stance on his role as an alien among humans.
This was a hideous, despicable, and blasphemous adventure starring Superman. At heart (if it even had one), it is inane and baneful for the rational mind. Overlooking the number of scenes that it had to get rid of (almost 45 minutes of deleted content), where I can only imagine how much more mediocre it could’ve been with rumours of a second (original) Nuclear Man part of this disappointing story, it makes no sense that anyone could dare greenlit this narrative garbage fire where not a single character seemed remotely invested in their role. How does one even think that it would be a fun idea to toss in another love triangle (or is it a quadrilateral?) would be interesting, especially when they suddenly completely erased Lana Lang (from Superman III) from the picture?
The political landscape roughly and superficially explored throughout this movie, with Superman having his hands forced into meddling into human affairs, made for a truly unbearable experience. In a failed attempt to promote global peace through a concerted effort to eliminate nuclear weapons, you can’t help but wonder how such ludicrous subordination was even possible. One could probably argue that the fear of a godly alien played a role in this event but only the joy of leaders was shown without exploring a single bit of this so-desired politicking. However, plot holes are the least of this movie’s troubles. It also sought to enter the realm of insanity with the introduction of Nuclear Man.
Listen. When you got some of the weakest special effects to support your most forgettable (unfortunately, it’s going to be hard to forget this villain for a while) villain, you should rethink your whole movie from the very beginning. Nuclear Man’s origin story is one of the most cringe-worthy concepts of all time and it doesn’t help that his first odyssey to Earth can be summed up by meeting his daddy and telling him to take a hike, falling in love, and playing around with Superman. But that’s not where things really get screwy. It’s when you realize how superpowers are portrayed in this calamity. From Nuclear Man’s evil nails to Superman’s unexplained ability to erase memory and undo things through his heat (?) vision (see above gif), there’s just no room for any kind of appreciation for this chunk of excrement.
Superman IV: The Quest for Peace (1987) is a catastrophic nuclear failure brimming with questionable plot holes and messy themes that dance, stumble, and fall to the chaotic and pitiful rhythm (or lack of) of this cinematic disaster.