Title: The Low, Low Woods.
Series: Hill House Comics #3.
Writer(s): Carmen Maria Machado.
Artist(s): Dani.
Colourist(s): Tamra Bonvillain.
Letterer(s): Steve Wands.
Publisher: DC Comics.
Format: Hardcover.
Release Date: September 29th 2020.
Pages: 168.
Genre(s): Comics, Horror.
ISBN13: 9781779504524.
My Overall Rating:
Also in the Hill House Comics series:
Basketful of Heads by Joe Hill.
The Dollhouse Family by Mike Carey.
Daphne Byrne by Laura Marks.
Plunge by Joe Hill.

As part of critically-acclaimed writer Joe Hill’s Hill House Comics line-up over at DC Comics, the next entry belongs to a writer who brings into play her own conception of horror as she rethreads the eerie and odd town tale with a supernatural and creepy history that slowly resurfaces. This time, she attempts to interweave a complex relationship tainted with envy and passion as well as a world that has more to it than what you can see. Writer Carmen Maria Machado (Her Body and Other Parties, In the Dream House) and artist Dani (Lucifer, Tales From The Strips) thus deliver a six-issue story featuring deer creatures, skinless men, and witches as two girls struggle to remember lost memories that hide dark secrets on their town.
What is The Low, Low Woods about? Set in Shudder-to-Think, Pennsylvania, the story follows El and Octavia, two best friends who wake up feeling like they’ve lost their memory of the past few hours. Disturbed by the insecure feeling of losing touch with reality, they continue on with their daily lives at school filled with love interests and self-discovery. Unfortunately, they run into unexpected surprises that will shake them to the core and force them to seek answers to questions on themselves, their relationship, and the mysterious phenomenon occurring in their town. It’s only when chaos engulfs their reality that the stakes sky-rocket and they embark on a journey to save their world from Shudder-to-Think’s monsters.
“I wonder if they wonder why we never listen?”
— Carmen Maria Machado
This didn’t quite work well for me. There’s an interesting concept underneath it all but the execution leaves much to be desired. The most fatal flaw lies in the world-building. It is one thing to have your world exist with its own rules, for it to hide secrets and truths underneath common knowledge for various characters, and another to not hint a single bit of information regarding those elements throughout the narrative, never allowing the reader to comprehend the extent of the author’s vision as the story unravels. In this case, the story places the reader in the middle of a mystery and bombards them with absolutely random elements coming from all kinds of directions as they try to grasp where everything and anything is going. Toss in the oddly developed characters, their conflictual lesbian relationship, and the underlying feminist agenda that clearly points at men as the root of all evil, and you got yourself a recipe that turned out to be exactly what I was not hungry for.
Artist Dani offers a very rough and poorly-detailed artistic style for this story that often turned out distracting rather than alluring. Despite an ambitious and diverse cast that received a just as ambitious and diverse character design concept, characters rarely spoke through their body language or facial expressions. A lot of the graphic novel’s forte instead relied on its dialogue rather than on the art itself. There’s something in the artistic vision that also seemed to convey the sense that the harder it is for readers to understand the art, the better the horror. Not true. Colourist Tamra Bonvillain does do a good job in focusing the colour pallet to three or four colours while heavily utilizing shadows to capture the horror elements. This helps the story maintain a certain eerie atmosphere that comes with the premise but, unfortunately, the overall result isn’t as gratifying as you’d hope for it to be.
The Low, Low Woods is an eerie yet incohesive tale pitting readers into a world that lacks boundaries while losing itself in its not-so subliminal feminist reverie.

Thank you Penguin Random House Canada for sending me a copy for review!

I did not know she wrote graphic novels too. I love a feminist take generally so I can’t complain about that. I read Her Body & Other Parties a couple of years back and had a difficult time with it so I recognise a lot of what you’re saying – I spent a lot of the time feeling like i was grasping at strands of a story I couldn’t quite assemble.
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That’s pretty much it! It’s as if we had to accept, understand, not question anything being told and follow the flow of the story with some kind of promise that everyone will make some sense by the end of it; which, unfortunately, wasn’t that great of a finale to justify the journey! I can’t say that I’m intrigued enough to want to give Her Body and Other Parties a try someday but if the Great Lydia had issues with it, I don’t think I could survive! Thanks for reading! 😀
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Haha! I don’t know if I deserve that much credit. Her writing is just very meandering – I think you have to be the type of reader happy to go along for the ride even if it doesn’t ultimately lead anywhere 😂
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Damn men! If only they would all die off, then the world would be a perfect utopia!
But don’t you worry Lashaan, it will be painless (mostly) and quick (well, kind of) and very humane (because men aren’t really human after all, right?). I’m thinking death by shopping and pedicures….
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Hahah that reminds me of the Y: The Last Man comic book series (which I still need to continue and finish). Unfortunately, making men look like the devil’s minions doesn’t help any cause, if you ask me. Maybe someone who has been victim to a man might find these stories somehow empowering but the message behind such motivation is surely not one that will help make a better world for everyone…
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The concept sounds interesting. Sad it was executed well and world turned out incomprehensible.
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Indeed, Yesha. Indeed. Thank you for reading! 🙂
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I thought you were holding it upside down, but now that I’ve read about it, I’m not too bothered either way…
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I got scared that I hadn’t held it properly upside down for a second! 😀 And yes, in the end, not even that cover art could save the story being told. 😦
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Such a shame it didn’t live up to your expectations Lashaan!
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Indeed! It was fine but I wish I could’ve enjoyed it more. 😮 Thanks for reading, Nicki! 😀
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Interesting concept but poor execution… ahhh nevermind, at least you gave it a try. On to the next! 🙂 Great review btw!
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Exactly! Although the next one was a worse hahahah Thanks for reading, Jee! 😀
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Oh that sucks this didn’t work out. My interest perked up because I didn’t know Machado had written a comic book and I like the town name “Shudder-to-Think.” That’s really cool. Usually I’d add it to my TBR anyway but what you said it’s about doesn’t appeal to me, and I agree on the art. I’m not feeling it.
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It’s her first endeavour into the comic book world and it sort of shows; a couple more stories and she’d probably get the grasp of it though. Hahah it is indeed an original name! I’m pretty impressed that my relatively negative review didn’t get you to ONCE AGAIN add something to your exploding TBR! 😛 Thanks for reading!
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Your experiences with Hill House Comics seem very hit or miss so far. It’ll be interesting to see what you think of anything else they put out. I do like the color schemes in this one. The limited colors seem to work well, at least in the sample pages.
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Tell me about it. I’d have wished this could’ve gotten at least a passing grade but it was a tough sale with the kind of story it was pushing for. And I agree. The colour scheme for this story is quite good. At least that’s one consistent element! Thanks for reading, Todd! 🙂
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Ha dang Lashaan!!! Sorry this didn’t work out but I get what you mean here. And the art does nothing for me either.
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I can’t blame you. It’s rough and sometimes quite indecipherable! 😮
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Pity it didn’t work for you, Lashaan! Doesn’t sound like it’d work for me either, so at least I’m spared checking it out! 😉
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Glad to be of service, Ola! 😉 I’d have a hard time recommending it but if anyone does try it, I hope it works better for them than it was for me.
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Sounds like one of those badly extrapolated stories that are ripped from real life and contorted enough that it makes it comparable to muddy water.
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To trudge through mud water is pretty much how it felt like with this graphic novel. No smooth sailing for me anyway, that’s for sure! Thanks for reading, my friend. I hope you’re well!
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That I am, Lashaan and forever grateful for being so. Thank you.
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I would hate to lose my memory, even if it’s of the last few hours ahah! Sorry it didn’t work out for you, though I completely understand your point! Pennsylvania definitely sounds like a great setting for a horror tale, but it is definitely not enough to compensate for poor execution and world-building!
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Hahahaha I totally understand. I think it’s something we often take for granted too, the ability to remember things! I don’t want to imagine what a future where we can’t remember the past would be like. Wow. I think it would be the end of the world! Thanks for reading, Juliette! 😀
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Ok, this is a pass . . .
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Definitely hahahah
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“their conflictual lesbian relationship, and the underlying feminist agenda that clearly points at men as the root of all evil” That just says it all. It reminds me of the question you asked me the other day regarding my take on writing minority characters. SOmetimes it just doesn’t fit.
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Exactly. I’m not too big of a fan of stories with a political agenda behind it or at least subliminal messages like that hidden in it. Maybe it’s my fault for wanting to read it without looking into the graphic novel more but man… Some ideas are so extreme…
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Many say they read books to “get away” or to travel to a different land. If you dump an entire saltshaker of salt on your story, the reader will be drowning in it without being able to escape. Weird metaphor that probably doesn’t make sense, but it did to me when I thought of it. LOL
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Hahahaahahah a wild mind, you have there! 😛
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I won’t deny that.
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