Title: Batman: Last Knight on Earth.
Writer(s): Scott Snyder.
Illustrator(s): Greg Capullo.
Inker(s): Jonathan Glapion.
Colourist(s): FCO Plascencia.
Letterer(s): Tom Napolitano.
Publisher: DC Black Label.
Format: Hardcover.
Release Date: April 7th, 2020.
Pages: 184.
Genre(s): Comics, Science-Fiction.
ISBN13: 9781401294960.
My Overall Rating: ★★★☆☆.
Sometimes you build a bond so deep with someone that your minds connect on a cosmic level unattainable to the common mortal. Through hardship and success, you learn to perfect your communication with this other being and almost make it seem like it was an innate and natural ability passed along by the Gods of Creativity and Innovation. Within the comic book industry, such partnerships have come and gone throughout time, leaving behind countless monumental tales for others to remember them by. Amongst these heavenly matchups, legendary writer Scott Snyder and artist Greg Capullo, who both have delivered together the incredible Batman: Court of Owls saga and Dark Nights: Metal event return together for their final Batman tale with no chains restraining them as they flex their creative muscles under the DC Black Label imprint.
What is Batman: Last Knight on Earth about? Split into three oversized special issues, this final tale of the Dark Knight sends Bruce Wayne looking into an odd mystery hidden within Gotham that leads him back to the alley where it all started for him. Caught off guard and unable to comprehend what he discovers, the story temporally shifts to a time where he finds himself tethered to a hospital bed where he wakes up from a coma and is trapped in an inexplicable reality where the life he has known as the guardian crusader of Gotham City might have all just been a fiction of his imagination. However, things aren’t exactly what they seem as the story spirals into a daunting post-apocalyptic future where he must figure out what caused his world to be destroyed.
Writer Scott Snyder has often gone over and beyond with his story-telling throughout his time with Batman, whether it’s during his New 52 Batman comic book run or his Metal palooza. Embracing his inner Grant Morrison, he officially outdoes his previous achievements and distinguishes himself in this story arc with one of his most overblown, ludicrous, and radical portrayal of a world that has seen the worse while under the guidance of Batman. Drawing upon this powerhouse creative team’s past lore established together, they now looked into gluing together a mosaic worthy of their most outlandish ideas as they attempt to raise the Dark Knight as the only hero left in the world who could pierce a ray of hope within a post-apocalyptic future reigned by an unmatched and deranged usurper. While the story radiantly glows with their known fantastical eccentrics, it turned out unrefined with loads left unsolved as the narrative drowns itself in their unwavering creativity.
Narrated by an unnamed figure—whose identity can be guessed further into the story—and featuring an exhaustive cast of characters that have been significant to Batman throughout his life, artist Greg Capullo was in his zone to depict the Caped Crusader for one last time in all of his New 52 glory as he channeled his trademark gritty, rough, and brilliantly expressive artistic vision into this grand finale. Assisted with inker Jonathan Glapion and colourist FCO Plascencia, they were also able to breathe life into a dystopian world void of heroes while still giving Batman his obsidian black shades accentuating his iconic fear-based presence.
While the narrative searches to contrast an Old versus New World, it remains intriguing to see new character designs introduced into the story while familiarity in their facial expressions and beliefs soothes the reader in this strange world. Through the artwork, the theme of repurposing the world and its inhabitants that is ever so present in the story before the reader is captured through Batman’s determined mannerism and remains the sole driver in this far-out experience. The overall impression left by the tale might not be as bittersweet as desired but several sequences throughout the story are enshrined by the breathtaking artwork.
Batman: Last Knight on Earth is the ultimate swan song encapsulating Scott Snyder and Greg Capullo’s cautionary vision of Batman and the future.
Love your review!
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Thank you so much for taking the time to read it! 😀
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Huh. Do I detect a bit of disappointment? Well, one-upmanship against oneself never ends well, and Snyder should be well aware by now of the meaning of hubris 😀 Grant Morrison would certainly agree! 😉 Sorry it’s a letdown, a definitely more bitter than sweet goodbye, but you know what people say – never say never 😉
Great review as always, Lashaan!
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Yep. A lot of Scott Snyder’s more recent stuff have become more and more unhinged, making it harder and harder to appreciate too. This one felt like it was forcing too much “what ifs” onto us without really taking the time to let them be accepted by the reader. Hopefully their future non-Batman collaborations will be far more impressive than this one! Thanks for reading, Ola! 😀
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Like your review 😋💕
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Thanks, Priyasha. 🙂
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Well, as you know, I’m not the greatest fan of the Snyder/Capullo team (can’t believe they’re being allowed to do a sequel to Metal…sorry) but the ideas here do intrigue me enough to want to give this one a go but will definitely wait for a digital sale when it goes cheap.
Great review Lashaan, it’s a shame Last Knight was a bit of a disappointment for you – hopefully the Metal sequel will restore your faith in what is clearly one of your favourite DC creative (dynamic?) duos!
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Yep, I remember your position as a fan of their work and I’m actually with you when it comes to the idea of Metal 2 (Death Metal)… I don’t think it was necessary to go there again. Hopefully it will play out better than Last Knight on Earth, which kept the Metal-vibe going, and have more substance to back up all the subplots…
While I am a bit sad that they won’t be doing anymore Batman, I do hope their future superhero projects and independent titles will be worth picking up! Thanks for reading, Chris!
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I did however like The Batman Who Laughs mini-series and Superman Unchained is one of my favourite modern Superman stories so there is some of Snyder’s work I enjoy, at least!
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I love the idea of him not knowing whether or not he imagined his entire life as Batman!
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It’s a fascinating idea, isn’t it? It puts into perspective his whole legacy! 😮
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Great review, Lashaan. Even with a franchise I’m not that drawn to you had me captivated with the review, which actually made me curious about the story and art. Nicely done, especially considering this was something that obviously didn’t hit it out of the park for you.
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Thank you so much, Todd! Greatly appreciate the kind words. It definitely makes me happy to know that reviews like these can get people to WANT to try certain comics/graphic novels. That’s a win for me! 😀
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The alternate universe of Batman being in a coma sounds like a good read.
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Yep… The sad part though is that the story then suddenly changes narratives and goes full-out post-apocalyptic after that whole episode. 😦
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So do explain to me why you only gave three stars then? Because your review highlights so many strong elements so I am confused. Lo’
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The key word here is over-the-top. It does too much without giving every one of those strong elements a chance to breath and develop. 😉
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